CC12/Math 5
Computers and Music, Dartmouth College, Spring 99
Rockmore/Polansky
First Supercollider patches
May 1999
INDEX
Katherine Galbraith and Brad Sturges, pulsing, sweeping dual oscillators, using impulse and impulse.rate
Nate Gordon and Bill Reinsch, build arbitrary semitone based chords, with moving fund., pan, and sine/sawtooth mix (very clear GUI layout)
Jeannie Lee and Brian Gray, "tweetie-bird/sylvester" gui-based sounds, with lots of envelopes, glisses, death function, etc. (nice random colorizer for GUI)
Adam Green and John Cortese, "octave perception" GUI, allowing for 13 note chords with various detunings to be built, unusual GUI randomizer function for scale degrees, nice "quick-beater" slider, and some interesting other features.
Ben Guaraldi , additive synthesis, multiple scope-based harmonic signal builder.
Mehmet Iyigun and Heather McMillan, electronic band: gui-based military band, change the beat, the frequency and amplitude of drums, trumpets and the tune. Uses Klank, Cycle, and other fun stuff!
Ethan White and Beth Maletz, "wanker" (great title), gui-sans-text spawing simultaneous waveforms until the CPU dies, creating beating effects, and so on.
James E. McHugh and Allison M. LaFleur, "heartbeat," in which a sine wave is amplitude modulated by a pulse wave with three sliders
Camilo Navarro & Kristin Romber, Control Da Beats, nice, dayglo techno generator, making good use of ImpulseSequencer
Ryota Ogura, gui-driven two beating sinewaves
Wesley Self, The Big Dirty Random Synth, three voice random melody sequencer, with a number of odd slider controls
Dan Sheldon, very interesting single voice melody generator, with rhythmic controls, enveloping controls, and superparticular octave scale divisions (in just intonation!)
Frederick Strathmeyer, GUIless ocean wavesounds
David and Connor Smith, "warp", moving a comb filter around in real time (causing clicking artifacts) over a nice sine wave mush
Matt Wrobel, Envelopes and Different Types of Waves and Speeds, multiple gui dynamic envelope control of multiple oscillators.
Nicole Tsong and Justin To, lots of nice noisy modulations (freq. and amp.) and a nice bell patch to boot.
Ji-Soo Park and Nicole Plumail, GETTIN' DIZZY WIT' IT, (also known as "Too Foo, or Not Too Foo?"), panning, modulating sine waves
James Hanna, giant fuzz generator, everything clipping