'Sounds as They Are: The unwritten music in classical recordings,' Prof. Beaudoin's debut monograph, was published Jan. 5 by Oxford University Press.

The newly published Routledge Companion to Applied Musicology includes a chapter devoted to Prof. Richard Beaudoin's 'Digital Memory and the Archive' for solo cello.

Prof. Beaudoin discusses his compositional process in the new edited volume 'Early Sound Recordings: Academic Research and Practice.'

The latest album of Prof. Beadoin's compositions, 'Digital Memory and the Archive' releases February 3 on New Focus Recordings.

Music theorist Orit Hilewicz analyzes the design of Prof. Beaudoin's 'The Real Thing' for string quartet.

"All sounds deserve recognition," contends Prof. Beaudoin in his study of interactions between melody and audible breath in Dashon Burton's "He Never Said a Mumberlin' Word."

Prof. Fure's "HIVE RISE" and Prof. Beaudoin's "Another Woman of Another Kind" are honored in list of 2021's most impressive performances and recordings.