Bethany Younge is a composer of acoustic and electronic music explores corporeal elements of a musical performance. For her, the act of music-making cannot be divorced from the physical presence of the human instigator. Her works often incorporate instrumental deconstruction, exaggerated movement, motion tracking, sounding costumes, and/or other aesthetic devices to sonically heighten corporeal expressivity.

Younge's works have been featured in the 2020 National Sawdust New Works Commission, the Long Beach Opera Songbook, the International Summer Course for New Music Darmstadt, Resonant Bodies Festival, Gaudeamus Muziekweek, The 16th International Young Composers Meeting, the Frequency Festival, Ear Taxi, and many other festivals. She has worked with many ensembles including JACK Quartet, TAK Ensemble, ASKO|Schönberg Ensemble, TILT Brass, KLANG, Ereprijs Orkestra, Fonema Consort, AndPlay, Chartreuse, Gyre Ensemble, Ekmeles Vocal Ensemble, Mocrep, and others throughout Europe and the USA. She has been awarded the Stipend Prize at the International Summer Course for New Music Darmstadt, the Kanter/Mivos Prize, the Barcelona Festival Mixtur Commission award, the American Academy of Arts and Letters Charles Ives award, a Fromm Commission award, and was nominated for the Gaudeamus award.