Current Graduate Students

Eli Berman '23


Eli Berman '23

Eli Berman (she/they/זי/זיי) is a vocalist, improviser, composer-producer, and new instrument builder from Pittsburgh, Pennsylvania. She creates electroacoustic music using experimental vocal techniques across a variety of her ancestral vocal technologies, including khazones (Ashkenazi Jewish cantorial music), Yiddish and Appalachian folk songs, Slovak travnice (traditional women's haymaking songs), and western classical repertoire. For the past three years, Eli has been developing feedback instruments that extend the human voice using PVC pipes, metal sheets, and frame drums amplified by transducers and modulated by delay pedals. In the past year she has begun to create beats from digital samples of her voice. Eli has premiered her music at the Watermill Center, (R)evolution: Resonant Bodies at the Banff Centre, New Music On the Point, Yiddish Summer Weimar, New Explorative Oratorio Voice Festival, Atlantic Music Festival, and Gender Unbound. Eli performed in and contributed to Anna Lublina's 2023 Undying in Yidderland: Jargon Rituals at Künstler*innenhaus Mousonturm (Frankfurt, Germany), and in 2022 she performed in the live premiere of Sanni Est's album PHOTOPHOBIA for the Pop-Kultur Festival at Kulturbrauerei (Berlin, Germany). In addition to her experience as a countertenor and baritone in vocal ensembles such as C4: The Choral Composer/Conductor Collective (NYC), Eli has sung as a soloist in the 2018 U.S. premiere of John Tavener's Total Eclipse and a 2018 New York Times critically-acclaimed concert of works by Eve Beglarian. She has presented her music and creative research at the 2021 International Conference on New Interfaces for Musical Expression, 2020 Pan-American Vocology Association Symposium, and 2019 Transgender Singing Voice Conference. Eli is a second-year in the Digital Musics Master's program at Dartmouth College.


Armond Dorsey '23


Armond Dorsey

Armond Dorsey (They/He) is a world-builder and interdisciplinary artist-researcher who synthesizes storytelling across mediums with research to deeply inquire "why not be free?". Their creative work builds dream-like worlds as rituals for healing, social spaces fostering interconnection, and sites of fugitivity away from global antiBlackness through live performance, installation, and theater. Born and raised in Prince George's County, MD, Armond amplifies intergenerational memory within their Black communities and the African diaspora at-large by drawing from archives & field recordings of the narratives Black folks have lived and continue living. Deeply listening to these narratives also grounds Armond's scholarly practice. Armond merges the fields of Black studies, music cognition, sound studies, and public health to develop music interventions and research methods that address racial stress and improve access to care for marginalized communities.

Recent commissions and festival performances include: International Contemporary Ensemble's Ensemble Evolution; New Media, Arts, and Sound Festival; and, Nief-Norf Summer Festival. Armond's research has been published in Molecular Carcinogenesis and the Journal of Health Disparities Research and Practice; they have presented their research across national research conferences and international workshops. Armond is currently a M.A. Candidate in Digital Musics at Dartmouth College. In June 2020, they graduated from Dartmouth College with a B.A. in Music modified with Neuroscience alongside a minor in African and African-American Studies.

Olivia Shortt '23


Olivia Shortt
Photo by Alejandro Santiago | Glitter edits by Heshaka Jayawardena

Olivia Shortt (They/Them: Anishinaabe, Nipissing First Nation, makwa/bear clan with settler ancestry – canadian & irish) is a noisemaker, improviser, composer, video artist, theatremaker, curator, trouble-maker and professional disrupter. Career highlights include performing Raven Chacon's 'For Olivia Shortt' at The Whitney Museum of American Art (NYC) as part of Chacon's series of solo works 'For Zitkála-Šá' during the 2022 Whitney Biennial; playing at the Lincoln Center (NYC) with the International Contemporary Ensemble; performing in their film debut in Canadian filmmaker Atom Egoyan's 2019 film 'Guest of Honour'; as well as recording an album of Robert Lemay's music two kilometres underground in the SnoLAB (Neutrino Lab in Sudbury, Canada). 

Recent projects include a new opera in partnership with Loose Tea Music Theatre (Toronto), a commission for Blueridge Chamber Festival (Vancouver), and thirtyminutes (Canada/England). Works created over the last two years include commissions from Long Beach Opera (California), the JACK Quartet (NYC), and Din of Shadows (Toronto). Shortt was a finalist for the 2021 Toronto Arts Foundation Emerging Artist Award as well as awarded and named one of the 2020 Buddies in Bad Times Emerging Queer Artists. Shortt was featured in the 2020 Winter edition of Musicworks Magazine. Shortt's work is greatly inspired by their love of camp, drag and gender expression, and Indigeneity. Their work could be described as very much in flux, exploring how improvisation, text, and noise combine to create work that leaves space through fragmented storytelling. 

A recent review came from a four-year-old child who said, "I don't know why I like it," regarding a performance Shortt did of Raven Chacon's music in July 2022. Shortt adores cats, wearing glitter and traveling.

Website | Instagram

Rodrigo Martinez-Torres '24


Headshot of Rodrigo

Rodrigo Martínez is a composer and producer interested in the abstraction of Latinamerican music as a tool for new creations. With a strong interest in popular dance music, electronic music production and experimental music, Rodrigo's work explores both traditional ways of approaching music making, as well as exploring unknown aesthetic scenarios for Latinamerican music. His current explorations revolve around social music –that is, music which promotes collaboration, deep listening, and horizontality. Rodrigo has won the Arturo Marquez prize, and was recipient of the Jóvenes Creadores grant in Mexico City. He was awarded a MacDowell fellowship in 2019, and was also the winner of the Dartmouth College Wind Ensemble Composition Competition in 2020.


Charles Peoples III '24


Headshot of Charles

Charles Peoples III (He/They) is a performing artist, composer, lyricist, filmmaker, and choreographer. He uses sound, movement, and visual storytelling to create space that bends towards mysticism, spirituality, queerness, and transformation.

Charles has performed his music at multiple conferences, workshops, and theaters; significant mentions include the 9th International Sound Healing Conference, the New Living Expo, Oakland Pride Festival, San Jose Pride Festival, and the Lesher Center for the Arts. Other notable highlights include the artist residency with the East Bay Queer Healing Arts Center, the Chapel of Chimes Summer Solstice event, performing with BANDALOOP, and the 2021 collection of films and online concerts.

Charles' research interests include societal/individual misremembering and the therapeutic value of performance. He is also interested in different forms of ritual, storytelling, sound healing, and shamanism, with the goal of merging them with technology to create transformative, mystical, and immersive performances.

"We are love. We are one."


Mac Waters '24


Mac Waters- Graduate Music

Mac Waters (they/he) (b. 2000) is a sound artist—composer, performer, improviser, producer, radio broadcaster, listener—who works in a variety of interdisciplinary contexts. Some recent interests include embodied kinesthetics and social media, the anxiety of a digital generation coming-of-age, the theater of Western performance practices, humor & spontaneity, and premodern notions of gender and sexuality (particularly in medieval European art and poetics).

Waters has worked in a variety of mediums, some of which include composing chamber music for various contemporary ensembles, composing electroacoustic music for film and dance, performing as a vocalist and violist in various interdisciplinary and multimedia performances, and electronically producing remixes as well as original music and song. Their works have been performed by Fonema Consort (Chicago), Wet Ink (NYC), Conrad Tao (NYC), Mivos Quartet (NYC), Ostravska Banda (Ostrava, CZ), and Ars Futura (Cleveland).

As a recent graduate of Columbia University where they received a BA in Music with a concentration in Medieval and Renaissance Studies, Waters is pursuing an MA in Digital Musics at Dartmouth College.