Faculty Member Miki-Sophia Cloud's Solera Quartet to debut at Carnegie Hall

In the September 28 New York Times' "The Week in Classical Music," Joel Rozen reviews the recently released album, "Every Moment Present," by faculty member Miki-Sophia Cloud's Solera Quartet and announces their upcoming Carnegie Hall debut:

"The quartet’s playing on the recording is sensitive and finely articulated throughout and the sound bright and vivid. Those interested in hearing them live are in luck...Solera is slated to present 'Entr’acte' at the group’s Carnegie Hall debut on Oct. 23." - Joel Rozen

Also reviewed in the article is Professor Ashley Fure:

"...after attending the premiere of Ashley Fure’s 'Filament' last week on the New York Philharmonic’s gala program, I returned five days later to hear it again. This absorbing work — for orchestra, a trio of bassoon, trumpet and bass soloists, and a 15-member chorus of 'moving voices' — came across again like an immersive, yet kinetic and atmospheric sound environment." - Anthony Tommasini

Read the full article here.

Professor Ashley Fure's "Filament" at NY Philharmonic

Professor Ashley Fure's "Filament" premiered at the New York Philharmonic's season-opening gala on September 20, and is the subject of a September 18 New York Times feature by Joshua Barone:

"Ms. Fure thinks concerts are a little weird. If the music we hear is just sound waves traveling through the air, she said in an interview, then 'we’re coming together to let air bump up against us. It’s a strange collective act.' This perspective — looking at music as something physical — is at the heart of much of Ms. Fure’s work, which deals in sound environments more than melodic lines. 'Filament' is no exception."

Read the full article here.

Anthony Tommasini's reviewed "Filament" for the New York Times on September 21:

Job Announcement

Job: Dartmouth College, Assistant Professor of Music (tenure-track)

Assistant Professor of Music

Dartmouth College (School of Arts & Sciences, Department of Music)

Hanover, New Hampshire

The Department of Music at Dartmouth College seeks outstanding candidates for a full-time tenure-track appointment at the rank of Assistant Professor. Teaching responsibilities will focus on Western art music history and theory. We will prioritize candidates with the demonstrated ability to make music come alive in the undergraduate classroom through performance and/or creative pedagogies. Review of applications will begin on November 1, 2018. Qualifications: Completed PhD or DMA or equivalent professional achievement required by the July 1, 2019 starting date.

Application Instructions: Submit cover letter and CV to apply.interfolio.com/53077.

Congratulations to Student Arts Awards Winners

"Huge congratulations to the student Arts Awards winners for their work creating and supporting the arts at the Hop, around Dartmouth, and in the world. Students were recognized in theater, music and filmmaking in a May 29 event that included brief performances and screenings of student work." (Michael Bodel, Hop Backstage, May 30, 2018)

 

For the full article, including a list of awardees, visit Hop Backstage.

 

Camilla Tassi GR'18 in "L'Orfeo" tour with Apollo's Fire

"On April 20, Apollo’s Fire, The Cleveland Baroque Orchestra, came to Cal Performances for an inventively staged and musically satisfying performance of Monteverdi’s 1607 version of the story, L’Orfeo, a masterpiece that’s one of the monuments of early opera.

With an exceptionally beautiful and well-paced libretto by Alessandro Striggio, L’Orfeo has grandeur and intimacy, joy and tragedy. This production, conducted by Apollo’s Fire artistic director Jeannette Sorrell, directed by Sophie Daneman, and with projections designed by assistant director Camilla Tassi, reflected these aspects of the opera and made considerable dramatic impact with minimal materials." (LISA HIRSCH , San Francisco Classical Voice, April 23, 2018)

Read more at San Francisco Classical Voice.

Professor Spencer Topel and Seth Parker Woods' "ICED BODIES" on NHPR

New Hampshire Public Radio ran a story on Professor Spencer Topel and Seth Parker Woods' “Iced Bodies: Ice Music for Dartmouth,” which was performed on April 26th at Dartmouth's Black Family Visual Arts Center.

 

From 'What is The Point of a Cello Out of Ice?' Dartmouth Duo Hopes You'll Hear For Yourself:

 

“An unusual musical spectacle will take place tonight in the Upper Valley. It’s a take on an iconic performance art piece from the 1970s. In that first version, a woman - naked except for a garland of flowers around her neck - played a “cello” made completely of ice. Now, the piece is being re- imagined to reflect modern themes, and that’s required some modern engineering as well.”

 

The full story, including the audio, can be found at NHPR.

The Dartmouth's article on Professor William Cheng's "His Music Was Not A Weapon"

This week’s The Dartmouth featured an article on Professor William Cheng's April 23rd talk "His Music Was Not A Weapon" at the Hopkins Center for the Arts.

From "Cheng’s ‘His Music Was Not A Weapon’ talk educates, inspires":

"Informed in part by the interest of students in his course Music 45.04, 'Changing the World with Music,' professor of music William Cheng has been sharing his lecture 'Loud Music Trial: His Music Was Not A Weapon' at colleges around the country. On Monday, Cheng brought the talk to Dartmouth, sharing the story of the fatal shooting of unarmed black teen Jordan Davis. Seventeen-year-old Davis was shot in Florida by Michael Dunn, a 47-year-old white man who claimed that Davis’ 'loud rap music' constituted a threat to his life. Cheng’s talk is primarily interested in the subsequent trial and political organizing that occurred in the wake of Jordan’s death, and its proceeds are donated to the Jordan Davis Foundation."

Spring '18 press on Professor Ted Levin and “Qyrq Qyz”

Professor Ted Levin is quoted in three recent articles about his work on Qyrq Qyz, which was produced in part with the Music Department and the Hopkins Center for the Arts.

 

From "Mighty Women Warriors, Resurrected From an Ancient Epic" in The New York Times:

“'Nomads adopted Islam in syncretic forms that assimilated and preserved myriad local practices and beliefs, many of them connected to veneration of spirits and various forms of shamanism,' said Ted Levin, a musicologist and an expert on Central Asia at Dartmouth College, who has worked with the American cellist Yo-Yo Ma to promote the region’s culture in the West."

 

From "Ancient Instruments And Modern Media Tell A Tale Of Women Warriors" on Vermont Public Radio:

2018 Department of Music Senior Recitals

Please check schedule weekly for program updates.

Cheryl Chang, flute
April 1, 7:30 pm, Faulkner Recital Hall
Performing works by Reinecke, Clarke, Villa-Lobos, and Gaubert.  Featuring Todd Huang, piano and Eddie Pyun, cello.

Andrew Sun, piano
April 14, 4:00 pm, Faulkner Recital Hall
Performing works by Scarlatti, Beethoven, Chopin, and Ireland.
 

Monica Alvarez, Art Installation: The Grand Tour
April 20 to April 23, Hop Garage

 

Justine Goggin, soprano
May 4, 8:00pm, Faulkner Recital Hall

 

Cristina Curcelli, piano
May 6, 6:00 pm, Faulkner Recital Hall

 

Mali Obomsawin, bass and Emma Howeiler, piano
May 7, 7:00pm, Faulkner Recital Hall

 

Connor Regan, tenor and Ólafur Olafsson, baritone
May 12, 3:30 pm, Faulkner Recital Hall


Edward Pyun, cello
May 19, 2:00 pm, Faulkner Recital Hall

 

Pages