Ash Fure Wins 2025 Creative Capital Award Associate Professor Fure was awarded the highly competitive grant to support the L.A. staging of her techno-opera/installation 'ANIMAL.'
A Dartmouth Workshop on Songwriting With AI Students in César Alvarez's songwriting class explore the creative and ethical implications of AI-generated music.
Tanaka Chikati '25 in Vienna World Music Festival Lineup The music major and percussionist will perform in the 2025 Sababu Festival, organized by Burkinabé balafon master Mamadou Diabaté.
Four Montgomery Fellows to Focus on Artificial Intelligence Scholars in the series will include a digital ethicist and a science historian.
Jesse Taitt on his Career, Projects and Thelonious Monk The Bay State Banner spoke with the jazz piano lecturer about his upcoming Boston Public Library concert.
Hopkins Center on Track to Reopen in the Fall The new Daryl and Steven Roth Wing includes a state-of-the-art performance lab. Dartmouth News
Sound and Gentrification: Allie Martin Publishes New Article "Sound, Gentrification, and Ephethereal Justice" was published in the latest issue of the journal Ethnomusicology.
New West Symphony to Premiere Erhu Concerto by Kui Dong 'Resonating Lands,' a concerto for erhu and orchestra by Professor Kui Dong, receives its world premiere on Jan. 25 in California.
William Cheng on Musicology, Care and Repair Professor Cheng joined William Robin for the series finale of the musicology podcast Sound Expertise to discuss his scholarship and the future of the field.
Boston Globe, Cranston Herald Praise Alvarez's 'NOISE' Critics Bob Abelman and Don Fowler review the ongoing Providence production of Assistant Professor César Alvarez's participatory musical.
"Dyslexic Ways of Thinking: A Reflexive Study of Chopi Timbila Xylophone Musicking in Mozambique" Robbie Campbell, William Cheng