Recent Publications

Richard Beaudoin

Beaudoin, Richard. 2021. "Gould's Creaking Chair, Schoenberg's Metric Clarity." Music Theory Online 27.1.
Beaudoin, Richard. 2020. “After Ewell: Music Theory and 'Monstrous Men'.” The Journal of Schenkerian Studies 12 (1): 129–132.
Beaudoin, Richard, and Danick Trottier. 2013. "Conceiving Musical Photorealism." Perspectives of New Music 51 (1): 174-195.
Beaudoin, Richard, and Neil Hyde. 2013. "The Handless Watch: On Composing and Performing Flutter echoes." CeReNeM: Journal of the Centre for New Music Research 3: 7–20.
Beaudoin, Richard, and Andrew Kania. 2012. "A Musical Photograph?" Journal of Aesthetics and Art Criticism 70.2012: 115-127.
Beaudoin, Richard. 2010. "You're There and You're Not There: Musical Borrowing and Cavell's 'Way'." Journal of Music Theory 54: 91-105.
Beaudoin, Richard, and Joseph Moore. 2010. "Conceiving Musical Transdialection." Journal of Aesthetics and Art Criticism 68 (2): 105-117.
Beaudoin, Richard. 2007. "Anonymous Sources: Finnissy Analysis and the Opening of Chapter Eight of The History of Photography in Sound." Perspectives of New Music 45 (2): 5-27.
Beaudoin, Richard. 2007. “Counterpoint and Quotation in Ussachevsky’s Wireless Fantasy.” Organised Sound 12 (2): 143–151.
Michael A. Casey

Chew, E., Casey, M., Lambiase, P., et al. Music Should Be Part of Every Physician’s Toolkit for Heart Science and Heart Health, Scientific American, accepted: August, 2021.
Quon, R., Casey, M., Jobst, B., et al. Musical Components Important for the Mozart K448 Effect in Epilepsy, Nature Scientific Reports, accepted: July, 2021.
May, L. and Casey, M, Decoding Imagined Sound, in Paulo C. Chagas and Cecilia Wu (Eds.), Sounds From Within: Phenomenology and Practice, Springer Humanities, 2021.
Quon RJ, Leslie GA, Camp EJ, Meisenhelter S, Steimel SA, Song Y, Ettinger AB, Bujarski KA, Casey MA, Jobst BC. 40-Hz auditory stimulation for intracranial interictal activity: A pilot study. Acta Neurol Scand. 2021
Michael Casey,Music of the 7Ts: Predicting and Decoding Multivoxel fMRI Responses with Acoustic, Schematic, and Categorical Music Features, Frontiers in Psychology: Cognition, Research Topic Bridging Music Informatics with Music Cognition, 28 Jun, 2017
William Cheng

SINGLE-AUTHORED BOOKS
Sound Play: Video Games and the Musical Imagination (Oxford University Press, 2014). Foreword by Richard Leppert
Just Vibrations: The Purpose of Sounding Good (University of Michigan Press, 2016). Foreword by Susan McClary.
Loving Music Till It Hurts (Oxford University Press, 2019).

EDITED VOLUMES
Queering the Field: Sounding Out Ethnomusicology (Oxford University Press, ed. with Greg Barz, 2019).
A Cultural History of Music in the Modern Age (Bloomsbury Academic, ed. with Danielle Fosler-Lussier).

ARTICLES
Visit www.willxcheng.com
Kui Dong

"Triliogy for Double Chorus, Music by Kui Dong" Central Conservatory of Music Press, November 2018
"Mirror" for two pianos (originally titled Minature 5-7) Central Conservatory of Music Press, August, 2018
"Selected Chamber Music by Kui Dong" Central Conservatory of Music Press, May 2015
"Memory/Place" for violin and cello, digital release by Kate Sternberg on https://katestenberg.bandcamp.com/track/memory-place-by-kui-dong
"Differences within Oneness" for string Quartet, digital release on Other Minds Records
“Shall We Play? (2013)” for string quartet, piano 4 hands and toy pianos on Grammy Award nominated Sono Luminus Records
"Trio" (2012) for two piano and guitar by Kui Dong, Larry Polansky and Christian Wolf on Henceforth

Full-length CD “Since When Has The Bright Moon Existed” (2011) Other Mind Record
Full-length CD "Hands Like Waves Unfold” (2008) for prepared piano on Other Mind Record
Full-length CD"Pangu's Song" (2004) New World Record
Theodore Levin

The Music of Central Asia, ed. Theodore Levin, Saida Daukeyeva, and Elmira Köchümkulova (Indiana University Press, 2016).
Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond, (Indiana University Press, 2006, paperback 2010).
Music of Central Asia, Vols. 1-10 (CD-DVD series with notes and text translations), (Smithsonian Folkways Recordings, 2004-11).
The Hundred Thousand Fools of God: Musical Travels in Central Asia (and Queens, New York) , (Indiana University Press 1996; paperback 1999).
Melinda O'Neal

Book: Experiencing Berlioz: A Listener's Companion, Rowman & Littlefield (2018).

Forward: A History of the Handel Choir of Baltimore by Carl B. Schmidt. Lanham, MD: Lexington Books (2015).

Essay: "Handel's Compassion and Messiah: An Oratorio" for hand-print folio of Messiah libretto. Baltimore: Hill Press (2012).

Chapter: "Passion and Authenticity: A Conversation with Marin Alsop" in Wisdom, Wit and Will: Women Choral Conductors on Their Art, ed. Joan Catoni Conlon. Chicago: GIA Publications (2009).

Chapter: "Coming to Terms with Historical Performance Practices," in Up Front!: Becoming the Complete Choral Conductor, ed. Guy Webb. Boston: ECS Publications (1994).
Sally Pinkas

Harold Shapero— Piano Music, Toccata Classics TOCC0211, 2014
http://www.toccataclassics.com/cddetail.php?CN=TOCC0211
Gabriel Fauré—Thirteen Barcarolles, Dolly, MSR Classics, MS-1438, 2012
http://www.msrcd.com/catalog/cd/MS1438
George Rochberg— Piano Music, Vols. III-IV, Naxos 8.559633-4, 2010
http://www.naxos.com/catalogue/item.asp?item_code=8.559633
Robert Schumann— Solo Piano Works, MSR Classics, MS-1323, 2008
http://www.msrcd.com/catalog/cd/MS1323
Martinu—Chamber Music for Flute, Piano and Strings, Naxos 8.572467, 2010
http://www.naxos.com/catalogue/item.asp?item_code=8.572467
William John Summers

"Before Their Music Stopped: Manila's Spanish Military Regimental Bands at the End of the 19th Century" in Diagonal, an Ibero-American Music Review, vol. 6, Issue 2, pp. 66-118, 2021.
William J. Summers and Peter M. Lefferts, English Thirteenth-Century Polyphony: A Facsimile Edition, Early English Church Music 57. London: Stainer and Bell, for the British Academy, 2016. vi + 54 pp. + 347 color plates. ISBN 978 0 85249 940 5.
Steve Swayne

Orpheus in Manhattan: William Schuman and the Shaping of America’s Musical Life (Oxford University Press, 2011).
“Remembering and Re-membering: Sondheim, the Waltz, and A Little Night Music ,” Studies in Musical Theatre 1, no. 3 (2007): 259–73.
“William Schuman, World War II, and the Pulitzer Prize,” Musical Quarterly 89, nos. 2-3 (Summer-Fall 2006): 273-320.
How Sondheim Found His Sound (University of Michigan Press, 2005).
“So Much ‘More’: The Music of Dick Tracy ,” American Music 22, no. 1 (Spring 2004): 50-63.
“Hindemith’s Unexpected Grandson,” Hindemith-Jahrbuch 32 (2003): 215-234.
“Sondheim’s Piano Sonata,” Journal of the Royal Musical Association 127 (2002): 258-304.
“ Music for the Theatre , the Young Copland, and the Younger Sondheim,” American Music 20, no. 1 (Spring 2002): 80-101.
Peter M. Webster

THE THIRTEEN CLOCKS, Opera based on the story by James Thurber. Music by Christopher Theofanidis; libretto by Peter M. Webster. Produced by Moores Opera Center, University of Houston, Houston, Texas.
LA MÚSICA DEL CIELO (Music from Heaven) A Pastorela (Shepherd's Play) in Spanish, with traditional and commissioned music. Author, Director, Musical Coordinator. Produced by Main Street Theater, MECA (Multicultural Education and Counseling through the Arts) Houston, Texas.
THE PASSION PLAY; a pastiche play with music from five Mystery Plays from the York and Wakefield cycles, with original text interpolated. Compiler, Editor and Author of original text; Director, Musical Coordinator. Produced by The Alley Theatre, Houston, Texas; and on tour to 10 different venues in Texas.