Experiencing Berlioz: A Listener's Companion (Rowman & LIttlefield, 2018).
Conductor Highlights: Brahms' Ein deutsches Requiem (Handel Choir and UMBC Chorale, 2013); Handel's Semele (HC, 2012), British/American Connection (HC, 2010); Handel’s Jephtha (staged, HC Chandos Singers, 2010) in collaboration with American Opera Theatre; Berlioz’s Roméo et Juliette (Handel Society of Dartmouth College, 2003); Vaughan Williams’ Dona Nobis Pacem (HSDC, 2003); Bach’s St. Matthew Passion (HSDC, 1998).
Artistic Director and Conductor 2012-13: Handel’s Messiah with Handel Choir & Handel Period Instrument Orchestra, guest soloists; Transcendence & Transformation with Diba Alvi, soprano, Marian Rian Hayes, harp, John Kilkenny, percussion, commission and première of Song of the Shulamite by Donald McCullough; folk song arrangements of the British Isles; music by Arvo Pärt and John Tavener; Brahms’ Ein deutsches Requiem (A German Requiem) with guest soloists Laura Choi Stuart and Steven Combs, a collaboration with Camerata of University of Maryland Baltimore County and Orchestra of St. John’s.
Artistic Director and Conductor 2011-12: Handel’s Messiah with Handel Choir and Handel Period Instrument Orchestra, guest soloists; Anglo Meets Saxon—Music of Britten, Walton, Rheinberger and Brahms; Handel’s oratorio Semele with Handel Period Instrument Orchestra and guest soloists; Final Fantasy with Baltimore Symphony Orchestra; benefit concerts for First Unitarian Organ Fund; Murphy Initiative for Peace and Justice, Collington Square Education Program.
Artistic Director and Conductor 2010-11: Handel’s Messiah with Handel Choir and Handel Period Instrument Orchestra, guest soloists; Dunphy’s Gonzales Cantata and Purcell’s Dido and Aeneas (staged production); Mozart’s Requiem and Bach Cantata 106 in collaboration with Harmonious Blacksmith; Benefit Concert for Methodist Board of Child Care.
Forward for A History of the Handel Choir of Baltimore by Carl B. Schmidt. Lanham, MD: Lexington Books (2015).
Essay in Hand-Print Folio: “Handel’s Compassion and Messiah: An Oratorio." Baltimore: Hill Press (2012).
Lecture and Reading Session: Library of Congress–American Music 1870-1923 (2010).
Conference Presentation: “Preparing and Performing Berlioz’s Choral Music,” Berlioz Society, London, UK (2009).
Chapter: “Passion and Authenticity: A Conversation with Marin Alsop” in Wisdom, Wit and Will: Women Choral Conductors On Their Art, ed. Joan Catoni Conlon. Chicago: GIA Publications (2009).
Article: “Orchestral Songs and Choruses by Hector Berlioz,” Conductors Journal Podium Notes (2005).
Chapter: "Coming to Terms with Historical Performance Practices," in Up Front!: Becoming the Complete Choral Conductor, ed. Guy Webb. Boston: ECS Publications (1994).