Recent Publications

Richard Beaudoin

Beaudoin, Richard. 2024. Sounds as They Are: The unwritten music in classical recordings. New York: Oxford University Press.
Beaudoin, Richard. 2023. "Micro-temporal Measurements of Two Early Debussy Recordings as the Foundation for New Music." In Early Recordings: Academic Research and Creative Practice, edited by Eva Moreda Rodriguez and Inja Stanovic. London: Routledge.
Beaudoin, Richard. 2022. "Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath." Journal of the Society of American Music 16 (1): 1–23.
Beaudoin, Richard. 2021b. "The Pen as Camera: Finnissy and Overexposure." Music Theory Online 27.3.
Beaudoin, Richard. 2021a. "Gould's Creaking Chair, Schoenberg's Metric Clarity." Music Theory Online 27.1.
Beaudoin, Richard. 2020. "After Ewell: Music Theory and 'Monstrous Men'." The Journal of Schenkerian Studies 12 (1): 129–132.
Beaudoin, Richard, and Danick Trottier. 2013. "Conceiving Musical Photorealism." Perspectives of New Music 51 (1): 174-195.
Beaudoin, Richard, and Neil Hyde. 2013. "The Handless Watch: On Composing and Performing Flutter echoes." CeReNeM: Journal of the Centre for New Music Research 3: 7–20.
Beaudoin, Richard, and Andrew Kania. 2012. "A Musical Photograph?" Journal of Aesthetics and Art Criticism 70 (1): 115-127.
Beaudoin, Richard. 2010. "You're There and You're Not There: Musical Borrowing and Cavell's 'Way'." Journal of Music Theory 54 (1): 91-105.
Beaudoin, Richard, and Joseph Moore. 2010. "Conceiving Musical Transdialection." Journal of Aesthetics and Art Criticism 68 (2): 105-117.
Beaudoin, Richard. 2007b. "Anonymous Sources: Finnissy Analysis and the Opening of Chapter Eight of The History of Photography in Sound." Perspectives of New Music 45 (2): 5-27.
Beaudoin, Richard. 2007a. "Counterpoint and Quotation in Ussachevsky's Wireless Fantasy." Organised Sound 12 (2): 143–151.
Michael A. Casey

Feng, Y. and Casey, M., Phrase-Level Symbolic Music Generation, AI and Music Creativity (AIMC 2024), University of Oxford, Sep. 2024.
Keating, M. and Casey, M., Jazz Guitar Voice-Leading Chord Fingerings With Long Short-Term Memory, AI and Music Creativity (AIMC 2024), University of Oxford, Sep. 2024.
Bates, K., Kanishcheva, A., Casey, M., and Jobst, B. "Music and Epilepsy: Studying the Effects of Mozart's Sonata K. 448 on the Epileptic Brain", Ch. 20 in Neurobiology of Creativity, Cambridge University Press, 2024
Paulsen, S. and Casey, M., Self-Supervised Pretraining for Improved Downstream Decoding of Audio-Evoked fMRI Sequences, 4th Workshop on Self-Supervised Learning: Theory and Practice, Neural Information Processing Systems 2023, New Orleans, December 2023
Paulsen, S. and Casey, M., Improved Decoding of Audio-Evoked fMRI Sequences with Sequential Transfer Learning, Workshop: Neurips meets Medical Imaging, Neural Information Processing Systems 2023, New Orleans, December 2023
Quon, R.J., Strýček, O., Ettinger, A.B., Casey, M.A., Rektor, I., Jobst, B.C. (2023). "Music for Epilepsy". In: Devlin, K., Kang, K., Pantelyat, A. (eds) Music Therapy and Music-Based Interventions in Neurology. Current Clinical Neurology. Humana, Cham, 2023
May, L., Halpern, A., Paulsen, S., and Casey, M. Imagined Scale Relationships Decoded from Auditory Cortex. Journal of Cognitive Neuroscience, 34(8), July 1, 2022.
Feng, Y. and Casey, M. Evoked Responses to Note Onsets and Phrase Boundaries in Mozart's K448, Scientific Reports, 10 June, 2022.
Casey, M., Quon, R., and Jobst, B., Eliciting neural mechanisms of music medicine for epilepsy, Interdisciplinary Science Reviews, 47:1, March 24, 2022
Quon, R., Casey, M., Jobst, B., et al. Musical Components Important for the Mozart K448 Effect in Epilepsy, Scientific Reports, September 16, 2021.
Chew, E., ..., Casey, M., Lambiase, P., et al. How Music Can Literally Heal the Heart, Scientific American, September 18, 2021.
May, L. and Casey, M, Decoding Imagined Sound, in Paulo C. Chagas and Cecilia Wu (Eds.), Sounds From Within: Phenomenology and Practice, Springer Humanities, 2021.
Quon RJ, ..., Casey MA, Jobst BC. 40-Hz auditory stimulation for intracranial interictal activity: A pilot study. Clinical Trial, Acta Neurologica Scan. 2021
William Cheng

SINGLE-AUTHORED BOOKS

Sound Play: Video Games and the Musical Imagination (Oxford University Press, 2014). Foreword by Richard Leppert

Just Vibrations: The Purpose of Sounding Good (University of Michigan Press, 2016). Foreword by Susan McClary.

Loving Music Till It Hurts (Oxford University Press, 2019).

EDITED VOLUMES

Queering the Field: Sounding Out Ethnomusicology (Oxford University Press, ed. with Greg Barz, 2019).

A Cultural History of Music in the Modern Age (Bloomsbury Academic, ed. with Danielle Fosler-Lussier).

ARTICLES

Visit www.willxcheng.com
Kui Dong

"Triliogy for Double Chorus, Music by Kui Dong" Central Conservatory of Music Press, November 2018
"Mirror" for two pianos (originally titled Minature 5-7) Central Conservatory of Music Press, August, 2018
"Selected Chamber Music by Kui Dong" Central Conservatory of Music Press, May 2015
"Memory/Place" for violin and cello, digital release by Kate Sternberg on https://katestenberg.bandcamp.com/track/memory-place-by-kui-dong
"Differences within Oneness" for string Quartet, digital release on Other Minds Records
“Shall We Play? (2013)” for string quartet, piano 4 hands and toy pianos on Grammy Award nominated Sono Luminus Records
"Trio" (2012) for two piano and guitar by Kui Dong, Larry Polansky and Christian Wolf on Henceforth

Full-length CD “Since When Has The Bright Moon Existed” (2011) Other Mind Record
Full-length CD "Hands Like Waves Unfold” (2008) for prepared piano on Other Mind Record
Full-length CD"Pangu's Song" (2004) New World Record
Jason Ennis

Tone Forest, with Marty Jaffe and Miro Sprague, 2024, Outside in Music
Jota Sete, 2022, self-released
Sueños y Delirios, with La Voz de Tres, 2014, self-released
La Voz de Tres, 2010, self-released
Winnie W. C. Lai

"Sounding Freedom: Political Aurality and Sound Acts in Hong Kong (Post-)Protest Spaces." PhD. diss., University of Pennsylvania, 2024. (Awarded the SEM 21st Century Fellowship 2023, The Society for Ethnomusicology.)

"'Happy Birthday to You': Music as Nonviolent Weapon in the Umbrella Movement." Hong Kong Studies 1, no. 1 (March, 2018): 66-82. (Shortlisted as one of the eight finalist works for the IBP Best Article on Global Hong Kong Studies in Humanities 2021.)
Theodore Levin

The Music of Central Asia, ed. Theodore Levin, Saida Daukeyeva, and Elmira Köchümkulova (Indiana University Press, 2016).
Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond, (Indiana University Press, 2006, paperback 2010).
Music of Central Asia, Vols. 1-10 (CD-DVD series with notes and text translations), (Smithsonian Folkways Recordings, 2004-11).
The Hundred Thousand Fools of God: Musical Travels in Central Asia (and Queens, New York) , (Indiana University Press 1996; paperback 1999).
"Timbre-Centered Listening in the Soundscape of Tuva" (co-authored with Valentina Süzükei), in The Oxford Handbook of Timbre (Oxford University Press, 2021)
Sally Pinkas

Shostakovich & Bridge Piano Sonatas, MSR MS-1679, 2021

https://www.msrcd.com/catalog/cd/MS1679
To a Camia: Music from Romantic Manila, MSR MS-1645, 2018

https://www.msrcd.com/catalog/cd/MS1645
Gabriel Fauré—Thirteen Barcarolles, Dolly, MSR MS-1438, 2012

http://www.msrcd.com/catalog/cd/MS1438
George Rochberg— Piano Music, Vols. III-IV, Naxos 8.559633-4, 2010

http://www.naxos.com/catalogue/item.asp?item_code=8.559633
Robert Schumann— Solo Piano Works, MSR MS-1323, 2008

http://www.msrcd.com/catalog/cd/MS1323
Martinu—Chamber Music for Flute, Piano and Strings, Naxos 8.572467, 2010

http://www.naxos.com/catalogue/item.asp?item_code=8.572467
Harold Shapero— Piano Music, Toccata Classics TOCC0211, 2014

http://www.toccataclassics.com/cddetail.php?CN=TOCC0211
Scott R. Sanchez

Publications Review: Three Preludes for Flute and Guitar by George Gershwin. Arranged by Dr. Justin Hoke. Soundboard Magazine (U.S.A.) Vol. 50 No. 3, September (2024)

New York State of Mind by Billy Joel, Arrangement for Solo Guitar, Sheet Music Plus, Hal Leonard Corporation (2024)

Berceuse (from Escenas Románticas) by Enrique Granados, Arrangement for Classical Guitar, Sheet Music Plus, Hal Leonard Corporation (2022)

Berceuse (from Dolly Suite - Op. 56, No.1) by Gabriel Fauré, Arrangement for Classical Guitar, Sheet Music Plus, Hal Leonard Corporation (2022)

And I Love Her by Lennon & McCartney, Arrangement for Solo Guitar, Sheet Music Plus, Hal Leonard Corporation (2022)

Blackbird by Lennon & McCartney, Arrangement for Solo Guitar, Sheet Music Plus, Hal Leonard Corporation (2022)

The Tanglewood Premiere of the Concierto de Aranjuez, Lenox, Mass., August, 2011, Soundboard Magazine (U.S.A) Vol. XXXVII, No. 4 (2011)

The Linear Approach to Playing the Guitar: A Choreographic Analysis of Arpeggios, Soundboard Magazine (U.S.A.) Vol. XXXVII, No.1 (2011)

Guitar 101: Tips for Directing a University Guitar Ensemble, Soundboard Magazine (U.S.A) Summer (2010)
Scott M. Sanders

Book
Voices from Beyond: Physiology, Sentience and the Uncanny in Eighteenth-Century French Literature, University of Virginia Press, (April 2022). Walker Cowen Memorial Prize.

Review by Logan J. Connors, The French Review, vol. 96 no. 4, 2023, p. 200-200.

Review by Nathalie Vuillemin, Eighteenth-Century Fiction, vol. 35, no. 4, 2023, pp. 559-562

Review by Ellen Welch, Eighteenth-Century Studies, vol. 57, no. 3, 2024, pp. 404-406
Peer-Reviewed Articles
"Singing through the Pain: Murat riffing on Montaigne," Eighteenth-Century Fiction. 35, no. 4 (2023), 445-462
"Between Novels and Songs: Eliza Haywood's French Romance," Studies in the Novel, 54, no. 3 (Summer 2022), 139-158.
"Beastly Variations: Allegories on Race, Migration and Marriage," The Opera Quarterly, 34, no. 3-4 (Fall 2020), 1-31.
Co-Authored, "Distant Approaches to the Printed Page," Digital Studies/Le champ numérique, 12, no. 1 (2022), 1-28.
"Code Noir in Marivaux's Theater," Eighteenth-Century Fiction. 32, no. 2 (2020): 272-296.
"On Chanting, Wailing, and Spell-Casting: Haunting Voices in Jacques Cazotte's Le Diable Amoureux," Eighteenth Century: Theory and Interpretation. 57, no. 4 (2016): 469-90.
Co-Authored, "Multimedia in the Long Eighteenth Century," Proceedings of the 2nd International Workshop on Digital Libraries for Musicology, 2 (June 2015) 29-32.
"Sound and Sensibility in Diderot's Le Neveu de Rameau," Music & Letters. 94 (May 2013): 237-62.
"Flying the Colonial Skies during the French Enlightenment," in Rediscovering French Science-Fiction: In Literature, Film and Comics, From Cyrano to Barbarella. Edited by Philippe Mather and Sylvain Rhéault, 41-64. Cambridge Scholars Publishing, 2016.
Reviews
"Théâtre en guerre: acteurs, auteurs, publics en temps de conflits armés. Sous la direction de Sandra Cureau, Anne Debrosse, Yann Lagadec, Valeria Pansini et Giovanna Sparacello," French Studies, 78, no. 3 (April 2024).
"Ellen R. Welch, A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France. Philadelphia: University of Pennsylvania Press," H-France Forum 12, no. 3 (May 2017): 1–6.
Review of Denis Diderot, Ed. Marian Hobson, Tr. Kate Tunstall and Caroline Warman, Denis Diderot's Rameau's Nephew: A Multi-Media Edition, Eighteenth Century Music. 13:1 (March 2016): 130-32.
Encyclopedia Entries
"Perturbations dans les théâtres nantais au 18e siècle," Nantes Patrimonia, July 2023.
"Denis Diderot, Diderots Beitrag zur Querelle des Bouffons," Lexikon Schriften über Musik: Vol. 2. Musikästhetik in Europa und Nordamerika. Eds. Wörner, F. & Wald-Fuhrmann, M. (Kassel/Stuttgart: Bärenreiter/Metzler, December 2023) 222-23.
"Denis Diderot, Lettres sur les sourds et muets," Lexikon Schriften über Musik: Vol. 2. Musikästhetik in Europa und Nordamerika. Eds. Wörner, F. & Wald-Fuhrmann, M. (Kassel/Stuttgart: Bärenreiter/Metzler, 2023) 225-28.
"Friedrich Melchior Grimm, Le petit prophète de Boehmischbroada," Lexikon Schriften über Musik: Vol. 2. Musikästhetik in Europa und Nordamerika. Eds. Wörner, F. & Wald-Fuhrmann, M. (Kassel/Stuttgart: Bärenreiter/Metzler, 2023) 298-300.
Steve Swayne

"The Eighteenth Variation," chapter in Rachmaninoff and His World (University of Chicago Press, 2022), 216–235.
"Williams College Before, During, and After Sondheim," chapter in Sondheim in Our Time and His (Oxford University Press, 2022), 15–44.
Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life (Oxford University Press, 2011).
"Remembering and Re-membering: Sondheim, the Waltz, and A Little Night Music," Studies in Musical Theatre 1, no. 3 (2007): 259–73.
"William Schuman, World War II, and the Pulitzer Prize," Musical Quarterly 89, nos. 2-3 (Summer-Fall 2006): 273–320.
How Sondheim Found His Sound (University of Michigan Press, 2005).
"So Much 'More': The Music of Dick Tracy," American Music 22, no. 1 (Spring 2004): 50–63.
"Hindemith's Unexpected Grandson," Hindemith-Jahrbuch 32 (2003): 215–234.
"Sondheim's Piano Sonata," Journal of the Royal Musical Association 127 (2002): 258–304.
"Music for the Theatre, the Young Copland, and the Younger Sondheim," American Music 20, no. 1 (Spring 2002): 80–101.
Bethany Younge

Seeing and Hearing Disability in Mauricio Kagel's Repertoire from Staatstheater
TEMPO
Published online by Cambridge University Press: 10 March 2021